Atacama Garden (2021) presents a universe of works based on the cosmological, cultural and astronomical site of Atacama Desert.


1. 

Atacama Garden (unplugged)

Music Performance


2. 

Networked

Digital simulation and live CCTV broadcast from ALMA Observatory


3. 

Chajnantor - Place of Departure

Video


Curated by Christl Baur - Head of Ars Electronica Festival

​Atacama Garden (unplugged)
Photography by Max Donoso

Atacama Garden (unplugged)

Photography by Max Donoso

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ATACAMA GARDEN (unplugged) is a music performance by

Samuel Domínguez


Total duration: 22 minutes


It uses Andean woodwind instruments and electronic music composed using astronomic data of the Orion constellation, obtained from the observatories in Atacama Desert.


Commissioned by Museo de Arte Contemporáneo / MAC Parque Forestal

in the context of the Chilean participation at the Ars Electronica Festival

Performed by Francisca Bascuñán and Conjunto Yacktamari

Astronomical Sound Data by Ricardo Finger

Sound Mixing by Olaf Peña


​Atacama Garden (unplugged)
Photography by Max Donoso

Atacama Garden (unplugged)

Photography by Max Donoso

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Networked uses live access to one CCTV camera at ALMA Observatory with a digital simulation reacting to the weather and light shifts in real time. The digital sculpture is an LED monolith that shows words that have been used by Europeans to describe the landscape of the north of Chile.


Total duration: seven days

Design by Ming Rang Bai

Artwork by Samuel Dominguez. Immersive video art with a digital animation

Photography © D. Schreiner and S. Degezelle/ESO with artist intervention by Samuel Domínguez

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Atacama Garden

Ars Electronica Festival

Live CCTV broadcast with digital animation

In collaboration with ALMA Observatory

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Chajnantor - Place of Departure is a collaboration between Elisa Guillaume and Samuel Domínguez, a commissioned video based on the Chajnantor plateau, the place where ALMA Observatory  is located in the Atacama Desert in the north of Chile.


Created with pre-recorded footage (courtesy of ALMA), the video immerses the audience into the bleak landscape of Atacama. By combining images of the Desert and Mars together through digital techniques, the work seeks to question our relationship with nature within the context of the digital revolution.


The narration was written collaboratively between Guillaume, Domínguez, and a text-based artificial intelligence algorithm. 

Finally, the video uses a musical interpretation composed by Olaf Peña Pastene, making use of data from the Orion Constellation obtained by astronomer Ricardo Finger. 

Using Format